The Final Days

When the so-called 386-generation was in universities, there was a book named “The White Rose” on the list of their required readings. It was a memoir about the German youngsters who resisted the Nazi regime during the Second World War. The main characters were Sophie Scholl and her brother Hans. To the Korean youths who were against the military regime, their story delivered the message of freedom, transcending the barriers of time and space.

“Sophie Scholl—The Final Days”, which is to be released on June 22 at Cinecore, located at Jongno-2ga, Seoul, is a film that deals with the life of the book’s main character, Sophie Scholl. Starting from the scene in which she gets caught at the university after scattering leaflets criticizing Hitler, the film traces her last five days before execution.

Cutting across 20 years since the day I read the book, the motion picture gave me a different impression. This time, I realized Sophie’s actions artistically rather than politically. Even in jail, she keeps her faith firm, and despite the interrogator’s temptation that she could save her life, she decides to sacrifice herself without hesitation. This way of life seems like another expression of desire in the age of desire where ideology no longer exists. That’s why it’s fresh and cool.

It was possible to devote yourself to something in times when there were people who would agree with your idea. Nowadays, however, it’s too difficult to be passionate since there are too many objects that require devotion. Therefore, modern people are both happier and more miserable than Sophie. The framework is elaborate and the acting is brilliant. Scenes that present antique images of Europe also contribute to the film’s perfection. People with memories related to the old book might be inspired with a lot of thoughts. Rated for ages 15 or over.

Mun-Myung Huh angelhuh@donga.com